<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Youth magazine]]></title><description><![CDATA[Youth Magazine is an independent publication exploring fashion, art, and youth cultures.
A global youth movement: @youthclub
@youthcollective]]></description><link>https://www.ymagazine.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Sun, 25 Oct 2026 09:01:08 GMT</lastBuildDate><atom:link href="https://www.shababmagazine.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Marcel Duchamp and the Chessboard as an Invisible Work of Art]]></title><description><![CDATA[Pasadena, 1963. The museum has not yet opened to the public. In a room, a seventy-six-year-old man in a dark suit studies the chessboard with his fingers intertwined in front of his face. Opposite him sits a twenty-year-old woman, naked, her bob hair hiding her face. Neither seems to pay attention to the camera. The image taken by Julian Wasser will become one of the most reproduced of the twentieth century. Yet at the center of the scene is the game.

]]></description><link>https://www.ymagazine.com/post/marcel-duchamp-and-the-chessboard-as-an-invisible-work-of-art</link><guid isPermaLink="false">6acf480cb386d9b9cf25e748</guid><pubDate>Wed, 14 Oct 2026 09:17:34 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_f52f29da88c142bebd6e18b31838d762~mv2.jpg/v1/fit/w_1000,h_801,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[John Ingledew and the last skinhead era told from the inside: not just combat boots and tattoos]]></title><description><![CDATA[Young faces with shaved heads and unequivocal tattoos: words, symbols, and names, written in a shaky block lettering. Photographs from the late 1970s that remained unpublished for over forty years—taken by John Ingledew, a British photographer and academic.]]></description><link>https://www.ymagazine.com/post/john-ingledew-and-the-last-skinhead-era-told-from-the-inside-not-just-combat-boots-and-tattoos</link><guid isPermaLink="false">6acd3548bbf9dc936f081d7d</guid><pubDate>Mon, 12 Oct 2026 19:55:56 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_47de0b67a5a24dc3ada1b2301402a51d~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[When the Street Became Home and the Skateboard a Language for Those Left on the Margin]]></title><description><![CDATA[A battered deck is passed from hand to hand. On the sidewalk in front of a Los Angeles skate shop, a group of teenagers hangs out for hours without a clear destination: trying tricks, filming tapes, mocking each other, coining nicknames. Nothing seems to be happening. Yet, within that suspended time, a whole world is taking shape.]]></description><link>https://www.ymagazine.com/post/when-the-street-became-home-and-the-skateboard-a-language-for-those-left-on-the-margin</link><guid isPermaLink="false">6acaa2ff86e1da51f6ffe6a6</guid><pubDate>Sat, 10 Oct 2026 20:52:10 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_46d4fca461bb4be8a162472f61d7cf09~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[From Parkour to Street Photography: Andrii Bulavka and the French Shot That Breaks the Rules]]></title><description><![CDATA[Andrii Bulavka is a young Ukrainian artist living in France. Emigration is a core part of his life story, and the street is his starting point. The urgency to capture the true meaning of things drives his visual language. The recent heatwave that swept across Europe this summer of 2026 allowed him to create one of his most celebrated shots. This piece belongs to a series of post-processed images created from hundreds of photographic sequences, as he shared with Youth Magazine. He also revealed h]]></description><link>https://www.ymagazine.com/post/from-parkour-to-street-photography-andrii-bulavka-and-the-french-shot-that-breaks-the-rules</link><guid isPermaLink="false">6aca9fc3e17be88e72d55fa2</guid><pubDate>Sat, 10 Oct 2026 20:29:54 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_73c26259c4404b5a8d5d83823c6ac0ba~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[We Miss the Warehouse: The "Home" That Transformed the Night]]></title><description><![CDATA[Chicago, late 1970s. Inside a former industrial building on South Jefferson Street, the night possessed a different density. No high-concept stages, no set designs built to be photographed. Just a sound system, a dance floor, and hours of music capable of binding together people who, outside those walls, would rarely have shared the same space.

The venue was called The Warehouse. Long before house music became the universal language of global festivals, runway shows, and clubs worldwide, it was]]></description><link>https://www.ymagazine.com/post/we-miss-the-warehouse-the-home-that-transformed-the-night</link><guid isPermaLink="false">6aca5b98ee57489af52c11b0</guid><pubDate>Sat, 10 Oct 2026 16:26:33 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_dc986e55c2e74dbe9bf3bac4d1120462~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Dressing Against the World: The Radical Elegance of La Sape]]></title><description><![CDATA[In Brazzaville, Congo, a suit is far more than a suit. Double-breasted jackets, socks chosen to the millimeter, polished footwear, and colors that reject all discretion. Then comes the walk: measured, theatrical, composed. Long before being looked at, a sapeur constructs exactly how they intend to appear.]]></description><link>https://www.ymagazine.com/post/dressing-against-the-world-the-radical-elegance-of-la-sape</link><guid isPermaLink="false">6aca66652f51f795d984c3c0</guid><pubDate>Sat, 10 Oct 2026 16:26:08 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_6c3e784215cb47c180bc47c5a1f4b61a~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Bangkok: Waikawee Captures the Youth Who Dress to Exist]]></title><description><![CDATA[

In the photographs of Chardchakaj Waikawee, Bangkok never serves as a passive backdrop: it is a constant, palpable pressure exerted upon bodies, clothing, and ways of coming together.]]></description><link>https://www.ymagazine.com/post/bangkok-waikawee-captures-the-youth-who-dress-to-exist</link><guid isPermaLink="false">6aca657786e1da51f6ff6297</guid><pubDate>Sat, 10 Oct 2026 16:22:26 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_34300d464f2e45a186d3f220c771a7ea~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[A Muddy Field and a Faded Bomber: Nineties Festival Nostalgia]]></title><description><![CDATA[An English field: tall grass bent by the wind, smoke rising from somewhere mid-hill. In the background, an anonymous crowd gathers around haphazardly parked trucks and cars. In the foreground, a girl in a bomber jacket and baggy jeans walks toward the lens without looking at it. She isn't posing. She doesn't know she's being photographed—or she doesn't care. It’s the nineteen-ninety-somethings, and that field isn't content yet.]]></description><link>https://www.ymagazine.com/post/a-muddy-field-and-a-faded-bomber-nineties-festival-nostalgia</link><guid isPermaLink="false">6aca5b02e17be88e72d4d0c8</guid><pubDate>Sat, 10 Oct 2026 15:35:25 GMT</pubDate><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Adolescents Until 32: What Science Actually Says, and Why We Love Believing It]]></title><description><![CDATA[

In the summer of 2026, a single phrase swept through social media feeds like a sigh of relief: science says we remain adolescents until age 32.



Accompanying the viral posts were images of twenty-somethings listening to music in their bedrooms, skaters on city streets, CDs, Game Boys, oversized headphones, joysticks, Converse sneakers, and vintage Nikes—a visual collage blurring yesterday's youth with today's. The core message felt like a warm embrace: if you feel overwhelmed, no stress—your]]></description><link>https://www.ymagazine.com/post/adolescents-until-32-what-science-actually-says-and-why-we-love-believing-it</link><guid isPermaLink="false">6aca5960d352fcf8fada3a8a</guid><pubDate>Sat, 10 Oct 2026 15:28:34 GMT</pubDate><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Before Perfection: The Seven Lens-Masters Who Taught Us How to Photograph Youth]]></title><description><![CDATA[Between the late 1970s and the 1990s, while fashion and mainstream media demanded composure and perfection, a handful of photographers moved in the opposite direction: toward raw vulnerability, unmediated observation, and unvarnished truth. No polished surfaces, no emotional distance, no protective filters. They captured real skin, real circumstances, and real people without sweetening the frame or constructing narrative safety nets to dictate how viewers should feel. The visual language they fo]]></description><link>https://www.ymagazine.com/post/before-perfection-the-seven-lens-masters-who-taught-us-how-to-photograph-youth</link><guid isPermaLink="false">6aca50fc86e1da51f6ff38bd</guid><pubDate>Sat, 10 Oct 2026 14:55:58 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_d718d805c31e4f0291c3590753b18550~mv2.jpeg/v1/fit/w_736,h_736,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[The Unasked-for Gaze: Street Photography in the Age of Consent]]></title><description><![CDATA[Two women in a department store, late 1950s. One adjusts the veil of her hat; the other watches her with an expression poised between suspicion and annoyance. Neither knows she is being photographed. Neither ever will: the frame belongs to Vivian Maier, the Chicago nanny who accumulated over a hundred thousand negatives without showing them to a soul, only to be discovered post-mortem. No one ever asked those two women for permission.

]]></description><link>https://www.ymagazine.com/post/the-unasked-for-gaze-street-photography-in-the-age-of-consent</link><guid isPermaLink="false">6aca4f8809c1023b681aa986</guid><pubDate>Sat, 10 Oct 2026 14:48:40 GMT</pubDate><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[**In Medellín: Concrete as Home, Skateboarding as Collective Escape**]]></title><description><![CDATA[*Touching Ground* stems from the meeting between Canadian-British photographer and filmmaker Lauren Luxenberg and skater and creative director Ronal Sanmartin, known across the scene as WTF Ronnie. The setting is Medellín, the Colombian city that, decades after the violence that once bloodied its streets, has transformed into a vibrant hub of youth culture. At its core lies a community: skateboarding used as a lens through which to read an entire city. *Touching Ground* unfolds as an interconnec]]></description><link>https://www.ymagazine.com/post/in-medell%C3%ADn-concrete-as-home-skateboarding-as-collective-escape</link><guid isPermaLink="false">6aca4b1786e1da51f6ff2cb9</guid><pubDate>Sat, 10 Oct 2026 14:31:40 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_1175d1eb0b1f4bdaa29befd25fe01897~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[The Black Panthers Beyond the Clenched Fist: The Story of a Movement Born in the Neighborhoods]]></title><description><![CDATA[Founded in Oakland in 1966, the Black Panther Party developed against a backdrop of police violence and economic inequality in Black neighborhoods across the United States. But its activities were never limited to denunciations or protests.]]></description><link>https://www.ymagazine.com/post/the-black-panthers-beyond-the-clenched-fist-the-story-of-a-movement-born-in-the-neighborhoods</link><guid isPermaLink="false">6aca47c286e1da51f6ff259c</guid><pubDate>Sat, 10 Oct 2026 14:25:43 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_3da75442636d40cc9bf875f633e4d7b3~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Analog Slowness as a Form of Presence and Resistance for Digital Natives]]></title><description><![CDATA[A disposable camera holds twenty-seven exposures and no screen on the back. You press the shutter, advance the wheel with your thumb, and move on. What has been photographed remains locked inside the plastic casing for days, sometimes weeks, until a lab hands it back as negatives and prints. For a generation accustomed to seeing every image the moment it comes into being, that very delay has acquired value.]]></description><link>https://www.ymagazine.com/post/analog-slowness-as-a-form-of-presence-and-resistance-for-digital-natives</link><guid isPermaLink="false">6aca44c22f51f795d9847eb7</guid><pubDate>Sat, 10 Oct 2026 14:09:49 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_57077d73936a4fdb9e730f11b3231819~mv2.jpeg/v1/fit/w_800,h_640,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[From Lagos to Chanel: How Social Media Became Rachel Ojuromi’s Runway]]></title><description><![CDATA[Before Chanel, there was Lagos, a smartphone, and relentless drive. Rachel Ojuromi, a 22-year-old Nigerian, wasn’t a model with years of castings behind her, nor was she an influencer waiting to be launched by the right luxury house. She had simply decided to try turning modeling into a career. But rather than waiting to be discovered, she started building her online persona from scratch.]]></description><link>https://www.ymagazine.com/post/from-lagos-to-chanel-how-social-media-became-rachel-ojuromi-s-runway</link><guid isPermaLink="false">6aca43052f51f795d9847b7e</guid><pubDate>Sat, 10 Oct 2026 13:58:25 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_07ed8af22e5a4d1f83b476d9683cc92c~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[From Makomé to Today: The Black-and-White of La Haine and the Suburbs We Learned to See as an Aesthetic]]></title><description><![CDATA[A billboard at night. At its center, Earth photographed from space, underneath the tagline "Le monde est à vous"—The world is yours. Someone has corrected a single letter by hand, turning it into "à nous." Ours, not yours. It is one of the most widely shared frames from La Haine (Hate), Mathieu Kassovitz’s 1995 film. Thirty years later, it circulates through social media feeds like a poster, often detached from the story that birthed it.

]]></description><link>https://www.ymagazine.com/post/from-makom%C3%A9-to-today-the-black-and-white-of-la-haine-and-the-suburbs-we-learned-to-see-as-an-aesthe</link><guid isPermaLink="false">6aca40c7e17be88e72d49ace</guid><pubDate>Sat, 10 Oct 2026 13:51:14 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_77cf22cc1dde44d9b4b37ec923287f77~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[From 1970s Hungary to London’s Mosh Pits: Gábor and Wanda Martin and an Ageless Youth]]></title><description><![CDATA["The Ballad of Eternal Youth" brings two black-and-white archives into conversation, both shot on 35mm film. Spanning 45 years and what was once the Iron Curtain, the project unfolds as a silent dialogue between a father and his daughter.]]></description><link>https://www.ymagazine.com/post/from-1970s-hungary-to-london-s-mosh-pits-g%C3%A1bor-and-wanda-martin-and-an-ageless-youth</link><guid isPermaLink="false">6aca3afa2f51f795d9846c5f</guid><pubDate>Sat, 10 Oct 2026 13:41:00 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_c00ed562f73a44dca22c16c960367571~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[No Glamour, No Distance: Why Kids Still Feels Real]]></title><description><![CDATA[In Kids, 1995 New York City doesn't look like a film set. It simply seems to exist. More than the plot itself, it is this feeling that explains why the movie directed by Larry Clark and written by Harmony Korine continues to hold such a unique place in youth culture's collective memory. Kids doesn't observe adolescence from afar. It sticks to it. It follows it through Washington Square Park, suffocating apartments, streets, parties, and aimless afternoons, building a world that feels as if it ex]]></description><link>https://www.ymagazine.com/post/no-glamour-no-distance-why-kids-still-feels-real</link><guid isPermaLink="false">6a9560a57732ad434c9f0378</guid><pubDate>Mon, 31 Aug 2026 11:14:16 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_d4b49dba3c524055a7d3393449a51cd4~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Before Museums Comes the Street: Inside the Creative Ecosystem Transforming Seoul into an Urban Art Hub]]></title><description><![CDATA[Hongdae as an Open-Air Laboratory

The symbolic epicenter of this narrative is the Hongdae district, an area that grew around Hongik University and its renowned arts community. For years, art schools, underground clubs, live venues, night markets, and independent businesses have generated a creative density here that refuses to be boxed into a single discipline.

]]></description><link>https://www.ymagazine.com/post/before-museums-comes-the-street-inside-the-creative-ecosystem-transforming-seoul-into-an-urban-art</link><guid isPermaLink="false">6a9426d163729de8ec7c7ea5</guid><pubDate>Sun, 30 Aug 2026 13:17:05 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_4e14a6c448064206ac6dfa719e0517ac~mv2.webp/v1/fit/w_474,h_474,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Being Famous Online Before Social Media: The Story of Scene Kids]]></title><description><![CDATA[There was tease-backed, gravity-defying hair, hot pink and leopard-print streaks, heavy black eyeliner, skin-tight skinny jeans, and high-angle photos shot with a blinding flash right into the face. But above all, there was a personal profile page to bu

In mid-twentieth-century America, dominant beauty standards were still deeply molded by Eurocentric traits. For many Black people, and particularly Black women, straightening their hair had long been tied to respectability and social acceptance.]]></description><link>https://www.ymagazine.com/post/being-famous-online-before-social-media-the-story-of-scene-kids</link><guid isPermaLink="false">6a9425516625a44549217fe4</guid><pubDate>Sun, 30 Aug 2026 12:48:39 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_4bcd8b7611c04b20aa01a202ed9cb8db~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item></channel></rss>